Marco Gómez Gudiño
A00343806
Art & Culture
03-11-09
|     Periods  |        Paintings  |        Painters  |        Time  |        Characteristics  |   
|     Byzantine  |        Giorgio Vasari -Pietro & Ambrogio Lorenzetti -Cimabue -Andrei Rublev  |        |        -The   Byzantine art movement was active from the 5th century AD to 1453 during the   time when the Byzantine Empire was dominant. -It grew out of traditional designs such as pictures of saints and   Bible stories and repetitive decoration.  |   |
|     Gothic  |        
                     |        Pedro   Berruguete  |        12th   century to the 15th century  |        “Gothic   architecture made its initial appearance    in France. However, the inception of the style owes much to several   generations of prior experimentation, particularly in Normandy.  The   structural value of the Gothic rib has been contested, its formal   significance cannot be overestimated. It served above all to delineate the   vaults with a skeletal web that gave to the entire structure an articulation   of impressive clarity. Wall surfaces of High Gothic churches thus have the   appearance of transparent and weightless curtains. The spiritual and   mysterious quality of light is an important element of the religious   symbolism of Gothic cathedrals.”  |   
|     Baroque  |        Caravaggio -Annibale Caracci -Gianlorenzo Bernini -Rubens -Rembrandt -Velázquez -Vermeer  |        |        -Originated   in Italy in the late1500’s. -Baroque style is more realistic and emotional. -The movement was greatly encouraged by the Catholic Church.  |   |
|     Romanesque  |        
  |        . Savin ( Vienna    Poitiers 
 Montmorillon  
 Montoire  Chappelle du Liget  Vic  
 Arless,  Trophime.     |        |        Romanesque painting was a   development of Carolingian painting, on one side continuing to borrow   directly from Byzantine models, whilst on the other it increasingly   emphasized the northern tendency to naturalism, vigorous movement, and   spontaneity. The characteristic and essential features of this decorative art   are already well defined; especially remarkable is the clearness of the   composition and the simplicity of its constituent parts.  |   
|     Reinassance  |        
  |        -Leonardo da Vinci -Michelangelo -Raphael -Buonarroti -Botticelli -Titian -Masaccio -Giotto  |        |        -Began in   Italy in the fourteenth century and is a term that means rebirth. -Subjects based on individual man in society. -Works of unsurpassable beauty and detail.  |   
|     Impressionism  |        
  |        Claude Monet Pierre Auguste Renoir  |        19th   century and lasted from 1867 to 1886  |        “The   Impressionist movement originated in France in the 19th century and lasted   from 1867 to 1886. Impressionists broke from traditional European painting   techniques and incorporated new elements into the chemistry of color in order   to achieve new levels of tone, and exact color. Impressionists created   paintings that were suddenly different in how they looked because they   applied paint in small touches of pure paint color rather than broad, mixed   brushstrokes. The impressionist style allows the artist to capture an image   that someone might see if they only caught a quick glimpse of the image.   Impressionist paintings are usually outdoor scenes with bright, vibrant   colors, without an emphasis on detail. Impressionist art allows an artist to   create a mood, while portraying a scene that is not realistic, but might be   perceived by any spectator.”  |   
|     Neoclassic  |        -Jacques Louis David -Robert Smirke -Robert Adam -Antonio Canova -Jean-Antoine Houdon -Anton Raphael  |        |        Began in Europe in   the late 1700's and lasted until the early 1800's. -The movement   revived ancient Greek and Roman   stylization in   European art.  |   |
|     Cubism  |        
  |        Pablo   Picasso  Georges   Braque Georges   Seurat, Fauves, Paul Cezanne  |        20th  century  |        Is one   of the most potent art movements of the 20th century. Cubist artists believed   in breaking up a subject matter, analyzing it, and then re assembling it in   abstract form. Instead of depicting an object from one angle, cubist artists   were able to paint an object from multiple angles at the same time in order   to represent an object in the most complete way possible.  |   
Bibliography 
http://www.imagekind.com/art/gothic_art/gothic_art.jpg
http://www.infoplease.com/ce6/ent/A0858436.html
http://www.dailypainters.com/images/origs/526/peonies_on_the_table_daily_impressionist_painting.jpg
http://www.arthistoryguide.com/Impressionism.aspx
http://www.arthistoryguide.com/Cubism.aspx
http://ceroart.revues.org/docannexe/image/1127/img-4.jpg
http://www.arthistoryguide.com/Byzantine_Art.aspx
http://www.arthistoryguide.com/Baroque.aspx
http://www.huntfor.com/absoluteig/rembrandt.htm
http://www.arthistoryguide.com/The_Renaissance.aspx
http://www.arteducation.com.au/art-movements/neoclassicism.php
http://www.arteducation.com.au/art-movements/neoclassicism.php
http://www.arthistoryguide.com/Impressionism.aspx








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